Birchbox are a monthly beauty subscription service where you get 5-6 beauty treats a month, ranging from anything from makeup to fragrance to skincare to haircare. Including shipping, it costs £12.95 a month and is cancellable at any time. When I saw that a free, extra gift of a Benefit mascara trio was included as … Continue reading Birchbox Beauty Subscription Box Review – Is It Worth The Money?
Coppola’s latest film, a Southern Gothic where seven women vie for the attention of a handsome injured soldier in the Civil War, fails to pack a punch – with aesthetics being prioritized over a meandering plot that needed a firm hand. Coppola has always had a distinctive style, which I adore (Lost in Translation is … Continue reading Film Review: The Beguiled (2017) dir. Sofia Coppola
A recent visit to Oslo led me to the Ibsen museum, home of and homage to the great playwright who helped pioneer realist theatre in the late 19th-century with works such as Hedda Gabler, Peer Gynt and, most famously, A Doll’s House. How, you say, is he relevant to The Beatles – who utilised a … Continue reading And That Is Why I’m Leaving You: How Henrik Ibsen influenced The Beatles
Twenty years ago, Harry Potter and the Philosopher’s Stone was published. Aimed at young children and taking place in a magical universe where children fought evil sorcerers, ate jumping chocolate frogs and tackled three-headed dogs, the book reflected happy escapism with no real hidden message in its 223 pages. But over the years these millennial … Continue reading Harry Potter and the Politics of Anxiety: how J.K. Rowling imagined a world that wasn’t so mythical
La Haine is unlikely to be known for its soundtrack. It embodies more the violence and anger felt between the police and suburban youth of Paris, with no cinematic additions of a swooping orchestral accompaniment to compromise the integrity of the realism depicted. Despite this, music is not utterly absent. Though entering only sporadically, when … Continue reading Sussing out the soundtrack: Mathieu Kassovitz’s ‘La Haine’
“Every product of disgust that is capable of becoming a negation of the family is dada (Tristan Tzara).” What part do representations of family and family units perform in the assault on conservative (‘bourgeois’) attitudes articulated by the writers studied in this module? Answer with reference to at least two plays or practitioners. In the … Continue reading What part do representations of family units perform in the assault on bourgeois attitudes articulated by French avant-garde playwrights?
Margaret Atwood has consistently refused to call her 1985 novel The Handmaid’s Tale a science fiction novel, insisting instead that it is speculative. “Science fiction has monsters and spaceships” she said, in an interview. “Speculative fiction could really happen.” Famously, she argued that the material she drew on for her dystopian nightmare were things that were … Continue reading TV Review: The Handmaid’s Tale – a dystopian nightmare brought to reality